Bostons Artsy Youth Struggle for a Future :: Journalism Essays

Boston's Artsy Youth Struggle for a Future Liz Meyrovich, 19, moved 3,000 miles away from the Portland, Oregon home she grew up in to attend Emerson College, one of Boston’s many prestigious performing arts schools. Unlike many other aspiring actors and actresses who move to Los Angeles straight out of high school and work in minimum wage service industry jobs while going on numerous auditions, Meyrovich decided that she would get a degree. She was a musical theatre major, hoping that a degree from Emerson would fuel her career as an actress. But one year and $32,000 later, she came to the realization that it wasn’t going to happen. "I’d heard that, something like three percent, of Emerson graduates get a job as an actor,† said Meyrovich. â€Å"I didn’t think it was worth it.† Meyrovich, along with thousands of other young aspiring actors and musicians, was drawn to Boston for one of its many performing arts schools, which includes Berklee College of Music, The Boston Conservatory, and The New England Conservatory. But she, like so many others, realized that it might not be the best way to pursue a career in the entertainment industry. The increasing costs of tuition for these private schools combined with tough industry standards and a struggling economy have left many young adults in a lose-lose situation. Those who do graduate are left with thousands of dollars in debt and a degree that they cannot use to pursue other career options. As a result, Boston is left with a large Bohemian-like subculture of young artists, actors and musicians who are struggling to make a future for themselves. "Everyone in Boston is in a band,† Meyrovich joked. â€Å"Everybody is a musician or an actor. It’s kind of scary to see just how many people there are around here who are like me – who want the same thing that I want, because unfortunately, there isn’t enough room for all of us. And it sucks because a lot of really talented people don’t make it because of that.† The big decision for many young adults like Meyrovich is whether or not to pursue a degree. The recent fame and success of Berklee dropouts John Mayer and Gavin DeGraw have many hopeful young performers questioning whether or not college is necessary. Does the entertainment industry care more about credentials or talent? According to Janet Neely, a Career Services Associate at Emerson College, training is necessary to become a performer.